A mono signal played through stereo speakers will have exhibit phase
cancellation and boosts depending where you are in the room, type of
room,
reflections, etc... Harmonics can do the same thing. Intonation can do
the
same thing.
Maybe so, but none of those phase cancellations/boosts occur to the
extent that CMS does when played through the voice-canceller. I notice
the audio of Creative Music Synth is equally-loud and equal-pitched
whether or not its played through the voice cancellor. Its the
*waveshapes* that are different.
Yes, if you play a mono signal through a voice-canceller, connect it
to a powerful amp and fully turn up the volume dial, you will hear
some of signal but it will be barely loud enough to hear. That because
of the *extremely* minute phase cancellations/boosts occuring in the L
and R through which the originally-monaural signal is played through.
But once again, the sound will not be NEARLY as loud as it would get
when you turn off the voice-canceller. Understand?????????
So its obvious that CMS's audio signal have certain elements [the
freshness, warmth and brightness] of their L and R signals phased
differently from each while certain other elements [cheeziness,
whininess, moaning] phase identically in the L and R channels. This
occurs in CMS much in the same way that many of the stereo hits from
the 80s onwards, have their lead-vocals, bass, and drums phased-
identically while their painos, guitars, pads, and chorus are phase-
differently.
If I pass CMS audio signal through a voice-canceller, the cheeziness,
whininess, and moaning disappear while the freshness, warmth and
brightness is amplified -- much in the same manner (and extent) that
when you play pop music [such as songs by Green Day, Phil Collins,
Rush, Bruce Hornsby, etc.] through a voice-canceller, the lead-vocals,
bass, and drums disappear while painos, guitars, pads, and chorus are
amplified.
I am fully-aware that an originally-mono signal maybe slight heard on
a voice-canceller if it is first split into L and R stereo channels.
This is because *any* stereo signal will have *some* -- and in this
case, obviously, a trivial and negligible -- amount of phase
differences between the L and R channels even if the original signal
was completely monaural. This clearly does not apply to the difference
in the way CMS sounds when passed through the voice-canceller vs. when
it isn't.
Now back to my original question:
Is it true that a stereo FM synth -- like Creative Music Synth --
naturally produces left and right signals that are not in phase with
each other even if the designer didn't specifically intend for those
phase differences??????????????????????????????????????????????
